此藏品图片为张女士实物拍摄,(实物与图片一致)

藏品名称：青铜器观音佛造像

藏品编号：SXXAYSP-20220905-57

藏品规格：以实物为准

藏品重量：以实物为准

藏品估价：议价

观音是观世音菩萨（Bodhisattva Avalokiteshvara）的简称，也是龙泉地区最受欢迎且最重要的宗教崇拜对象。瓷质的观音像在龙泉窑以外的景德镇、磁州等窑场也有生产。但是只有在龙泉窑，观音的形象被大量制作，且从大量的出土实物中可以发现，龙泉窑观音塑像在当时拥有很多不同的形象和图式。本文通过分析龙泉窑观音塑像的形象、图式及其生产情况，论证龙泉窑观音塑像生产的初始时间及其发展的历史脉络，同时分析其与宋元明时期浙江地区宗教信仰之间的重要联系

Guanyin, short for Bodhisattva Avalokiteshvara, is the most popular and important object of religious worship in Longquan. The Guanyin image of porcelain is also produced in Jingdezhen, Cizhou and other kiln fields outside Longquan kiln. However, only in Longquan kiln, the image of guanyin was made in a large number. From a large number of unearthed objects, it can be found that the guanyin statue of Longquan kiln had many different images and schemata at that time. By ANALYZING THE IMAGE, SCHEMA AND PRODUCTION SITUATION OF GUANYIN STATUES IN LONGQUAN KILN, THIS PAPER DEMONSTRATES THE INITIAL TIME OF GUANYIN STATUES IN LONGQUAN KILN AND THE HISTORICAL context OF THEIR development, AND ANALYZES THE important connection between them and the RELIGIOUS belief in Zhejiang area in the Song, Yuan and Ming DYNASTIES

龙泉窑瓷器在满足出口瓷器烧造的同时，还为民间烧造了大量民间使用瓷器。伴随着佛教在中国的流行，唐代时期是佛教的重大的发展时期，到了宋代以后佛教也在中国大力发展。尤其是普通百姓家里，烧香念佛成为普通百姓家中常见的现象。这一时期，龙泉窑烧制了大量佛教用的器具，最典型的就是香炉。龙泉窑瓷器烧制了大量佛像的造像。在这些佛像当中，龙泉窑器使用了非常成熟的烧造技巧，将佛像雕塑艺术与瓷器烧造艺术，两者巧妙的结合在了一起。

The Longquan kiln porcelain not only met the requirements of export porcelain production, but also produced a large number of folk porcelain for use. With the popularity of Buddhism in China, the Tang Dynasty was a significant period of development of Buddhism. After the Song Dynasty, Buddhism also developed vigorously in China. Especially in ordinary people's homes, burning incense and chanting Buddha has become a common phenomenon in ordinary people's homes. During this period, a large number of Buddhist utensils were fired in Longquan kilns, the most typical of which was the censer. A large number of Buddha statues were made on Longquan kiln porcelain. Among these Buddha statues, Longquan kiln ware uses very mature firing techniques, which combine Buddha sculpture art and porcelain firing art skillfully.

后来龙泉窑瓷器开创性的创造了佛像佛龛的瓷器品种。这类瓷器品种，是龙泉窑瓷器中非常精彩的瓷器品种，将原来以木质为结构的佛像，采用了纯瓷质进行烧制，塑造了陶瓷的佛像。这种佛像形式，以整体瓷器的形象出现了

Later, Longquan kiln porcelain pioneered the creation of Buddha and Buddhist niches of porcelain varieties. This kind of porcelain variety is a very wonderful porcelain variety in Longquan kiln porcelain. The original Buddha statue with wood as the structure is fired with pure porcelain, and the ceramic Buddha statue is shaped. This Buddha statue form, as a whole porcelain image appeared

近年来，明清鎏金铜佛造像在国际拍卖市场上大放异彩，受到各路收藏家极力追捧，尤其是明代永乐、宣德两朝用以赏赐西藏上层僧侣的鎏金藏式佛造像，因其工艺精湛、造型传神，在拍卖市场上屡创高价。例如，2004年，一尊明15世纪大威德明王鎏金佛像，在香港佳士得以1906.2万港元成交，成为当时鎏金佛像成交纪录之冠。2006年秋拍时，香港苏富比推出“佛华普照——重要明初鎏铜佛收藏专场”，总成交额超3亿港元。一尊“大明永乐年施”款的鎏金释迦牟尼座像以1.16亿港元被内地蔡姓收藏家竞得，刷新铜佛历史成交纪录。佛像收藏不仅是一种信仰，也是一种增值投资

In RECENT YEARS, Ming AND QING GILT BRONZE Buddha STATUES SHINE BRIGHTLY ON THE INTERNATIONAL AUCTION MARKET, by collectors to pursue, especially the Ming Dynasty Yongle, XUANDE two dynasties to reward Tibet upper monk's gilt Tibetan Buddha statues, because of its exquisite craft, modeling vivid, in the auction market repeatedly high price. For EXAMPLE, 2004, ONE HONOR 15 CENTURIES BIG WEI DE Ming KING GILT Buddha FIGURE, CLINCH A DEAL IN Hong Kong Christie'S WITH 19.062 MILLION Hong Kong DOLLARS, BECOME THE CROWN THAT GILT Buddha FIGURE CLINCH A DEAL RECORD AT THAT TIME. In THE AUTUMN OF 2006, SOTHEBY'S Hong Kong LAUNCHED "Buddha HUA PU PHOTO - AN IMPORTANT BRONZE Buddha IN THE EARLY Ming DYNASTY", WITH A TOTAL TURNOVER OF MORE THAN HK $300 MILLION. One HONOR "BIG Ming YONGLE YEAR APPLIES" THE GILT GOLD SAKYAMUNI SEAT IMAGE OF MONEY IS WON WITH 116 MILLION Hong Kong DOLLARS BY INLAND CAI SURNAME COLLECTOR, REFRESH COPPER Buddha HISTORY CLINCHES A DEAL RECORD. Buddha collection is not only a religion, but also a value-added investment.

观世音菩萨坐像一面二臂，高发髻，双垂耳珰，修眉朗目，寂静慈祥。左右手当胸握经箧，舒右腿，左腿盘曲，右舒坐姿。袒上身，胸前垂挂项链璎珞。帛带自双肩绕臂婉转于身侧，肩后帛带下垂呈弧形，雕刻生动写实，与永乐宣德佛像常用的披肩式样不同。雕细密精致的缠枝莲花纹，改变通常的衣褶起伏做法。

Avalokitesvara BodhISATTva sits with two arms on one side, hair in a high bun, ears clanking, eyebrows and eyes in silence and kindness. The left and right hand hold a suitcase as chest, comfortable right leg, left leg coiled, right comfortable sitting. Topless with necklaces draped across the chest. Silk ribbon from the shoulders around the arms to the side of the body, the shoulder belt sagging arc, vivid and realistic carving, and Yongle Xuande Buddha commonly used shawl style. Carving fine and delicate lotus pattern, change the usual garment fold ups and downs.

佛像在收藏投资业界的市场占有率远没有达到所谓的饱和阶段，价格还有不断上扬的趋势。与国际市场相比，国内的佛像成交价还是偏低。这首先缘于“历史原因”，也与社会经济文化发展的整体氛围有直接关联。有专家认为，艺术品收藏市场对专项收藏品的细分要达到“成熟化”和“透明化”，这是一个漫长而曲折的过程，而且这种成熟和透明是相对的。

The market share of Buddha statues in the collection and investment industry is far from reaching the so-called saturation stage, and their prices are on the rise. Compared with the international market, the domestic Buddha transaction price is still low. This is firstly due to "historical reasons", but also directly related to the overall atmosphere of social, economic and cultural development. Having AN EXPERT TO THINK, THE SUBDIVISION THAT ART COLLECTS MARKET TO SPECIAL COLLECTION SHOULD ACHIEVE "MATURE CHANGE" AND "TRANSPARENT CHANGE", THIS IS A LONG AND TORTUOUS PROCESS, AND THIS KIND OF MATURITY AND TRANSPARENT ARE RELATIVE.

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